Etica e diritto della biomedicina di innovazione
|
Conditional Transactions
|
Mirko Faccioli
|
Contracts and obligations subject to condition, with particular regard to the state of pendency
|
Consumer Law
|
Mirko Faccioli
|
Private law and consumer rights
|
Ethics of relationship(s) |
Carlo Chiurco
|
Ethics of relationship(s), in particular:
Ethics of recognizement, ethics of caring, ethics of gift;
Love and friendship. |
Forms of contemporary nihilism - Nietzsche |
Carlo Chiurco
|
a) Forms of contemporary nihilism, in particular:
Violence and the sacred, mimetic violence, René Girard;
Theory and criticism of nihilism and of Western civilization: Emanuele Severino;
Theory and criticism of nihilism and of Western civilization: Martin Heidegger;
Applied nihilism: the society of the spectacle, the society of the obscene, Berlusconism in contemporary Italy.
b) Nietzsche's philosophy, in particular:
Nietzsche and Italy, Nietzsche and the Mediterranean dimension;
Nietzsche and Europe;
Nietzsche and the problem of liberation;
Nietzsche and painting (Raphael, Rubens, Van Dyck). |
State Registry and Marital Status
|
Mirko Faccioli
|
Registration of juridical acts regarding filiation and marriage
|
Medical Liability
|
Mirko Faccioli
|
Civil liability of doctors and health facilities for damages resulting from medical malpractice as well as for the injury of the patient's right to self-determination
|
History of ideas: a) History of medieval philosophy; b) Painting and philosophy. |
Carlo Chiurco
|
History of ideas:
a) History of medieval philosophy, in particular: Alanus ab Insulis (Alan of Lille/tewkesbury); The School of Chartres; Bernardus Sylvestris; Anselm of Canterbury; Bonaventure of Bagnoregio.
b) The relation between painting and philosophy, in particular: Giorgione and 16th-century Venetian painting: a philosophical interpretation; (History of) Philosophical theories about painting and/or the role of image(s); The philosophical reflection about the role of the painter, its status, its meaning and its importance; Philosophical interpretations of specific artworks; The role and influence exerted by specific paintings and/or artists in philosophical conceptions, and viceversa. |